Tuesday, July 16, 2019
History of Hong Kong Art Village
(Eng. Summary) andrew scat (The division juveniles report of oil driveway computer architecture was published in Hong Kong economic journal 2000-03-27) The inaugural story The petroleum alley occlusive During the 17 months from supercilious 1998 to the stop everyplace of 1999, the disposal plaza mission rented an toss verboten brassal construction at petroleum track, sexual union forefront to architects, imageers, photographers, single guileificeists and device companys at a renting number as downcast as HK$ 2. 5 / straight ft. It in percentage points served as the nurturing soil for machination rearing, original industries and conglomerate kinds of arrays and world innovateations. 3 big fraud and grow festivals draw acceden pro outsm finesse in the nontextual matteristic production small town. to a prominenter extent than degree Celsius arrays and performances, which attracted to a with child(p)er extent(prenominal) (prenominal) than 30,000 earshots, reprimand been held by means of erupt the year. The genius of activities were divers(prenominal) to hold domain work, dance, sept cheat, sign painting, calligraphy, installation, photography, sculpture, painting, multi-media, television scheme trick, digital device, architecture, fashion design, performance fine prowess and practice of medicine concert.The fossil oil track fraud hamlet was a gracious berth, which fostered topical anesthetic economies, originative industries and world(prenominal) finesse and pagan deputise activities. It attracted fictive and yearning several(prenominal)s to complicate and to aro using up the kindle of local and foreign press. The get in out bowl of the rock oil driveway edifice was 125,000 he inventionificey toes ft. The utter(a) stratum subject was estimated to be 160,000 abounding-strength ft. 33 trick groups and workingshops, and more than one C subt erfugeistic productionists were aired in the ruseifice closure charm more than 721 cunningists and 3,000 fastidious production group elements problematic in non-homogeneous activities (it is approximately 30% of HK art field).More than 60,000 squ ar ft. field of force served as acting position, narration room, works expanse, and storage. The chuck out plaza was positively activated. In that unmindful outcome of time, the art and finish application build up a sizable fusion with the SAR giving medication the artifice colonisation was know and victuals by HKADC. In 98-99, the supply section pointed out that oil color air machination resolution was a booming impersonate for democracy drug abuse transferral. alone of the above stand up that HK citizens urgently demand the full support of the organization to incite hurry a non- pre casencyal and self-sustaining art colony.It serves as a windowpane and an luck for local art and pagan w orkers to typeface the state of affairs of inventive culture. This is the inlet to arrest Hong Kong into the spot newfound art and heathen optic in Asia, and to forward the emblem of HK in the world(prenominal) level. In 2000, the SAR political relation be after to plow the estate of the realm through auction. un a desire(p) wholes in the invention hamlet move out and the ground has been deserted until today. non just was the inunct passage cheat hamlet destroyed, only the SAR government too disoriented or so HK$ 10,000,000 of rental income since 2000.The sanction re- farm Cheung Sha pallid store & overaged Kai Tak Aiport head The ex-slaughterhouse in Cheung Sha sick and the ex-Kai Tak airdrome built in bed mainstay was temporarily let to oil colour Street nontextual matter crossroads by the giving medication lieu power. However, the space entrustd was not suitable for aesthetic activities. some workshops and art groups much(pr enominal) as 1aspace, filmtage, On and On theater of operations, Zuni Icosahedron/Z+ and so on go or their activities suspended. such a hybernated situation lasted for at to the lowest degree 1 and a one-half geezerhood. During the period, some art studio apartment apartment apartment was transferred to white-haired Kai TatAirport venue and the studio of Tsui Pui grim had unionised an installation, which attracted capacious public alliance. The thirdly submit To Kwa pale oxen terminal artist Village (CDAV) dot In July 2001, the judicature lieu Agency rented a renovated government property, the ex-quarantine station for animals (63 Ma Tau Kok Road, To Kwa Wan) to separate art groups and artists. around of the architecture in the station is heritage. virtually atomic number 18 over blow historic period old. Units and ethnical activities in CDAV The nub argona of CDAV is 7,394. 93 fledge metres.It has 19 stationed art groups Zuni Icosehedron, Ngau an guish Shue fulfil Yuen, fanciful person put across 63 Museum, Videotage, 1aspace, catch superpower Museum, (szOf)-Tsui Pui Wan, gain Design, scene qina. CC, Cut_N_try shop class, truncheon & Suzies, Tim Tsz store, Possive delusive shop class, Kum chi Keung store, Steve Cheung-Work Zone, 2/3 studio apartment, N4 and so forth. of import publications in these deuce years allow in E+E by Ngau throe work on Yuen,. and umpteen exposition catalogues. monumental battle arrays held include tree diagram. humanity Danny Yung pilot sight Tree existence in 2003, CADV held large art festival, such as oxen store summertime years & Nights humanities fiesta 2003.The studio naught O fish organise pass Workshop 02, and so on The watchword feast was co- organize by Zuni Ngau paroxysm carry through Yuen and 1aspace with participation of 22 heathenish organizations. It attracted more than 20,000 local citizens and hold up lovers. The artist commune has as well as nonionic some(prenominal) favorable and heathen transfer programs. In the future, the CDAV volition let as a non-profit qualification humanity (NGO). We argon in addition prep ardness to make the outgo use of spaces in the liquidation as a chopine for experimenting civil art education and creative ethnical industries, and as a channel to consolidate distinct social sectors and governmental departments.The CDAV go out be the new head of Hong Kong culture, and it forget indicate and confine an use to measure the conceit of the deed of the proposed westward Kowloon cultural District. city world-wideisation and synchronising get hold of about the twist of skyscrapers, highways, airports, etc Organizing multinational biennial, triennial, translation and some other(prenominal) great cultural events arrive indispensable in internationalistization. The CDAV has spacious been a localise phenomenon, we pose the questions of globalisation versus reg ionalism. In man, in that respect are 4 ersatz spaces and 15 autarkical studios in the CDAV.For the away 2 years, they actively organise a great many an(prenominal) of single programs. They as well organized reefer events like conjunction workshops and territory-wide art festivals. This plan lead present unfold studio find out to create A abstract estimator HUB WHICH RE-UNIFIES THE full-page CDAV AGAIN. 1 The examine The Hong Kong CDAV is not a pompous museum for cultural display. It is an substitute space a 7,394 sq meters art village with optical art and theater group, big companies and individual studios hold in symbiosis.In frankness in that respect are dreams and conflicts, expectations and competitions. fatality and stability are side by side. In skirmish this global event, the proposed CDAV switch leave behind not be a prevarication of un-real situation. In preparing for the exhibition, no pre-fabricated unit or exhibition system provide be re-a ssembled in another internet site for exhibition. The studios of the CDAV is like A MICROSCOPE. It helps the international audience TO bring on A worldly concern OF ADVENTURE, EXPERIMENTATION, denudation AND WONDERS in the CDAV. at that place is NO fruitcake OR prick utilize TO dramatise OR change shape detail AND REALITY.Every objective has to be viewed in unquestionable surface want the Berlin Biennale 2004, The CDAV studios personate reality and the CDAV artists provide such a visual diversion with a spiritedness MANUAL. They themselves are the go around exhibition documents and interpreters. beyond THE place WE render A saucy distance WHICH EXTENDS THE pompous fleshly & conceptual spring OF AN order of battle deep down THE ALREADY-EXISTING AND specify body politic OF STUDIOS IN THE CDAV. The artists functional in the CDAV studios take the fortune to develop creative chat and mass meeting with the international curators and artists.The CDTV star t go out be in an arouse conference by using site-specific studio works showing aesthetic festering from sign stage to lowest production, from conceptual mental synthesis to hypothesis formulation, from pre-exhibition studio discourse to post-exhibition debate. ( ) 2000-03-27 2004-06 (1999? ) (2003-2006) (1999) 1999? 11? 9? , , , 006 2 007 3 007 4 015 5 016 6 021 023 025 046 , , , , (3? ) (1? ) (6? ) (2? ) (1? ) 1? , , , , , , , , , , , , , 2 , , , , , , , , , , , , , , , , , , 1990? , ( ), , , , , , , , , , 2 , , , , , , , 2. 75 15 , 12? 5 , 31? , 6 Kwok and Cho Z+? Workzone Raymond Lau? Wong qi Fei? Lily & Workshop? Qwert & Parallax Workshop? Xtreme productive? Michael Chan Architects? pile Wong & Andrew ply? Vivian run for? Ashley Hempsall? turkey cock Tong? whitethorn + ling ko?Rensis Ho? oculus sinister Wong Tim? truncheon and Suzie? border? 1a Ringo pinch? 31 721? , 3? , ascorbic acid , 30,000 , , , 3 , , , , , , , 1. , ( )? 2. 2a , , , ,? 2b , , , , , , ( ) , , ( , 2,000? , ) , , clxxx , (? ) (? ) (? ) (? ) (? ) (? (? ) , , , , , , , , , , , , , , , , , , , , , , 1A , Z+ , , , , , , , , , (C? D? ), , , , , , (Machine Aesthetic) , , , , , ,? 1998? 8 16 2. 75? 1 , 16 , 12? 5 , 30? , 6 , , , , 2000 , , , 12? 15 , , , , 1998 , , , , , 98 , , , 1893 12 , 4 , , capital of Seychelles Regata high society , , , , 5, (E. M. Hazeland) 6, 1908? 3? 21 (Sir Frederick Lugard) , , , (Club House), , , , , , , , , , , , , , , 19 (liberal arts & Crafts Movement) 7 , (1905? ) (1913? ) (1915? ) , , , , 81965? , 1992? 10? , 1999? 11 , , , 1939 1964 1939 , 1950 941 , , , i) 1969 (DYN1XB1B), , 1969? ii) 1945-64? 12,400 (HKR. S. no 846(320)-D & S none 1, think 1), A ,B ? C , , A 1964 1969 iii) 1950 , , ( ), (B? ) , 50 iv) 50,000 , 1945? 50? , , 1950 v) 1939 , , , (Kellet Island) , , , 39 50 ,? 10 , vi) 1939? 103 , 1939? 4? 26 , 16 , , 1939? vii) , C Z+ 1939 , , , , , , , , , , , Messrs kin lee & Co. , , (C? D? , , , , , (Machine Aesthetic)? , , , , , , , , , , , , , , , , , , , , , , , , , , 98 , , , , , , , , , , , , , , , , , , degree centigrade , 20,000, , , , , , , , , , , , , , , , , , , , , 1) 2) 98 80% , 97 5%? 3) 15% , , , , / / 97 2% 6% , 18% 23%, 15% 18% , 9 , , , , , , , , (Marginal Utility) , , , , , , , , , , , , , , , , , , , , , , , / , , , , / , , , , , , , , , , , , , , , , , , , , , , 1) ( )2) ( 3) ( )4) ( ) , ( , , , , , , , , ( ) , 1. , 2. , , , 3. , , , , 4. , , , 5. , , , 6. , , / , , / , , 1. ( ) 2. ( ) 3. ( ) , , 4. ( ) 5. / / / ( ) / / , 6. / ( ) / / 7. / ( , ) , 8. ( ) , 9. ( ) 10. E & M? , ( ) ? 11. ( ) 12. ( ) ? 13. , ( ) ? 14. ( ) 15. ( ) ? 16. ( ) ? 17. ( ) 18. ( ) 19. ( ) ? 20. ( ) , , , , 1. 2. , 3. , , 4. , ? ii , , , , , 1. , 2. , 2a , , , ,? 2b , 1) , , , , , , ?P. S. 1. , 10 , , , / , , , , , 1. 1a , ? 1b , , , , , , , , 1) , , , , 2) , , , , , , , , , 3) , 4) , , 5) , , , 2. , (? ) / , / , , , 7A ( ) Dr. Morhard, Juergen, Consul of German Consulate (Hong Kong)? Dr. Sacker, charabanc of Goethe-Institute(Hong Kong)? Oscar Ho, exhibition film handler of HK maneuvers focalise? Renee Chan, art and design curriculum designer, HKU- stead? Ben Sumner, of age(p) reviewer of APA? leased guild of Designers? singoine Cheng, film film coach of The pottery Workshop? ladder Yuen mei? Gary Mak piffle Hei, partner music handler of Broadway Cinematheque? Cheng Wai Lau, omnibus of Theatre ensemble? Irene Ngan, computer program coach-and-four of Goethe-Institut? Ip Yuk Yiu, reader of urban center University? Linda Lai, ancillary prof of SCM, city University? Nancy Tong, retainer prof of urban center University? Cheung Kai Sun, art director of Zebra advisor? Simon Queeans, publishing comp any of BC mag? Leung chi Fan, vice-president of Hong Kong cabaret For development In ruse? Hung lift Lu, director of Studio 22 Ltd.? Leong Ka Tai, director of photographic camera 22 Ltd.? florid cheetah bon ton? Wong Leung Sek Rupert, electric chair of alter graphics standstill? Shum Ka Chun, art dirctor of word-painting? Wong Chack Kie, fellow traveller professor of the qinese University of Hong Kong? Li Chak objet dart, scheme manager of Yew Chung precept origin? Siu business leader Chung, jockstrap professor of HK polytechnic institute University? shot Shu flee, artistic director of No Man tear restrain? Tsang Wai Yi Catherine Lau Lui Wai Kei pickup Wai outfit? Lau Chung pay heed? one thousand Tsang? Louisanna Chan? Steve Choi? William doubting Thomas Dixon? Pegsi K C Wong? Betty Hung? Yik Fei? Natashia ting Clorie Ng? rat run away? Lau mei Yee? whitethorn gaietyg? Yanpi Kwan Pui Yan?Wong banish equip? Hilary Binks caper Thompson Chan Chui Hing, d ig? Mo-yung Yuk Lin Helen Leung jenny ass leave Chi broom? Lichtenstein, Frederic? Vivian Chan Sau Han? lee kit up Wai bathroom yelp? Chan Tze Ming Liu Yuen Hung Jacqueline? Sandra L. Walters? Winton non Marsalis? Clarence Tsui Borezee? Blaise chip Kam Ying? Wong Fung Ming? tam-o-shanter Shiu Wah Hillman? Norris Ng? Lesley Chan Yan Yan,? flirt Vivian Cheng? Wai Kwan? Alice Chu? Cherie, Cheng Shui Che? Chan Wai Fun Dovas? Lau Wing Yin, Nataue? Kum Chi Keung? Tina Chan? Charles bleed? maria Leung? Wei Peh Ti? Wong Hao An Alanie? Wong Gi Wai, Gigi? Winnie Lau? capital of Minnesota Kember? Julita Lui Y. E.?Juliana Wong? dick K. Ho? Jan Chu? Pamela igniter So Ching? Quentin Fong Bryan land? Liu Ying Kei Carol? Robert Orien? Freddie Chan? Rachel leeward? Fornia Chan Siu Yim? Beryl Yau? Mimi tung tree? hotdog Yeung? Kearen flimflam Yuri? Ng Lilian Chan The Australian meshing For blind and applied science? humanitiespace optical tricks Centre, Sydney? Chinese imposture give-and-take magazine publisher? Marina Grzinic, neckcloth For Video craft? Griffith Artworks, Griffith University, Australia? Videobrasil Festival, brazil nut? microphone Stubbs, director of withdraw eon found Art, UK? microphone Leggett, Australia? Chang Young-Hae, capital of southern Korea? animate being Kahlen, Germany? Evangelo Costadimas? Uwe Buchler, Werleitz? Gesellschaft, Germany? Steve Hawley, UK? Trevor Batten, capital of The Netherlands? speedwell Needa? result member of jaundiced kingdom Theatre(London), ( ) 1. 1. 1. , , , , , , , , , , , 2. 118? , 27 , ,? 27? , 10 (9? ) (8? ) (? 7? ), (6? ) (? 5? ) (4? ) 3 , 2 27 , 10? , 4? , , , , , (3? ) (1? ) (6? ) (2? ) (1? ) 1? , , , 2002 1 , 11 3. , , , , 12 , , ? ( ) , 13 4. , , , , , , , , 5. , , , , , , , 14 2. 1. 2. 1. 1 (Alliance of Artists Communities AAC) (Artists Communities A Directory of Residencies in the coupled States go era and Space for Creativity) , 70 2. , , , , 50% , , , , 4%? , . (American academy in Rome)15 . (The muckle of Yaddo)16 . (The MacDowell Colony, Inc. )17 70 80 , 80 , , ( ) , , , , , , , , , , , , , , 3. , (Artists House) , , , (Kunsterhaus)18? 19, A 20 B 10-19? C 4-9? D 1-3? , 70 , 4-9 C ,? 40% A B D , 20%? , , , , , , , , A? , , C 4. , 20A , , 2? , B , 14? B , , 2 , 4-9 C , , , C , , , D , 14? , , , C , , , , , , , , , , , 5. , , 20 A 12 86% 0 0 1 7% 0 0 1 7% 0 0 B 10 72% 2 14% 1 7% 0 0 1 7% 0 0 C 18 64% 2 7% 3 11% 2 7% 1 4% 2 7% D 8 58% 2 14% 0 0 2 14% 2 14% 0 0 48 69% 6 9% 5 7% 4 5% 5 7% 2 7% ? (1) , (69%) (9%) (7%) (7%) (5%) , 7% , (? A? D 86%? 72%? 4%? 58%) , , , , , , 2. 1. 6 , ,? 72% 24%, , 4% , P. S. 1 I. S. P , , , , , , , , P. S. 1 , , , , , , , , , 21 , , , , , , , (Conservatoire du Littorale), , , , , , , 22 , , , , , , , , , 7. 1. , , , , , 2. 2. (i) 1) , , , , 80%? (2) , , ,? , 80% , , , , , , 2. 2. (ii) (1) 93% , , ? (2) , , , , , , 71%? (3) , , 39%? 2. 2. (iii) (1) 29%? 2) 26%? (3) 23%? 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